Dieter Mammel (1965) and Rubens Präg (1996) started their project of collaborative paintings some years ago. At the heart of the exhibition lies the encounter between two distinct visual languages: Mammel’s monochrome, often atmospherically condensed pictorial worlds meet Präg’s subtly coloured constellations of figures. Their collaboration unfolds in different ways—through collage, overpainting, or direct joint work on a single pictorial surface. In Waterworld 1+2, drawn interventions enter into an open exchange with the existing image; in Happy 1+2, pictorial spaces overlap in a collage-like manner; while in Children’s Game, both artists work simultaneously on a shared visual organism.